“Septic Patriarchy,” synthetic polymer and oil paint on 9 x 6 foot canvas .
(C) Mark Nelson
"The artwork presents a striking and provocative commentary on immigration and authority. The use of anthropomorphic geese dressed as soldiers, wielding weapons, creates a surreal yet impactful visual metaphor. The phrase "¡CHINGA La Migra!" suggests a rebellious stance against immigration enforcement, challenging viewers to confront their perceptions of authority and border control.
Synthetic Polymer and oil on 8 x 4 feet canvas
This painting effectively captures the emotional intensity surrounding the nationwide riots following George Floyd's death. The use of bold colors and abstract forms creates a palpable sense of urgency, mirroring the unrest and collective pain experienced by marginalized communities. The central green figure, representing Liberty, stands out against the chaotic background, symbolizing resilience and hope amidst turmoil.
Synthetic Polymer on Plexiglass 55 x 44 inches framed
This artwork serves as a commentary on the devastating consequences of the October 7 massacre and the subsequent retaliatory violence that claimed over 46,600 lives, including Palestinians, medical personnel, foreign laborers, and journalists. The stark contrast between the vibrant red background and the dark silhouettes of figures evokes a sense of urgency and despair, reflecting the chaos and loss experienced in the region. The chaotic landscape, filled with fragmented buildings and abstract forms, symbolizes the destruction of communities and lives. Historically, this piece resonates with the ongoing conflict in the region, highlighting the cyclical nature of violence and the profound human cost of war. The artist's choice to depict the aftermath in such a visceral manner challenges viewers to confront the harsh realities of conflict, urging a reflection on the moral implications of retribution and the need for peace.
Mark Nelson resides and works in Chicago's historic barrio of Pilsen. The Pilsen neighborhood has a large a population of artists with whom Nelson has known since arriving to Chicago in the mid 1980's from the Republic of Panama.
Most of Nelson's public projects are cultural in nature and have been financed through grants and a professional career in arts education. These projects have included indoor/outdoor painting, installations, sculptural forms and video production. Additionally Nelson has been a resource to local artists in his community to promote their endeavors and professional goals through digital media services.
With the exception of the annual 18th Street Pilsen Open Studios, visits are by appointment only. artmaze@gmail.com
Be the first to hear about upcoming events, exciting stories, and volunteer opportunities.
Reproductions are available on request.
There are many ways to get involved in our arts community. Find out about links to local events, opportunities and collectives.
Monday - Friday: By Appointment
Saturday - Sunday: By Appointment